|
Post by sweetlarma on Jun 25, 2006 16:50:41 GMT -5
I undid the five buttons, red, which ran from the throat of the garment to the waist. Buttons, interestingly, were a relatively recent innovation in some Gorean slavewear. They are not used on the garments of free persons. Most Gorean garments do not have buttons, but are slipped on, or held with brooches or pins. Hooks, however, are used with some frequency. Buttons, interestingly, are regarded as rather sensuous on Gor. Buttons, obviously, may be unbuttoned, or cut away with a knife, thus revealing the slave. Many masters do not permit a girl to button her tunic in the privacy of their compartments. When a slave opens the door of the master’s compartment and kneels, head down, say, to admit a visitor, her garment may have been closed only an instant before. This is also true of a hooked slave garment. Slaves, too, may be kept nude in the compartments. These, before answering the door, will usually don a light tunic, slipping it over their heads or wrapping it about their shoulders. When one sees the slave one does not know if, a moment before, she has been beautifully naked in her slavery or if, when the door closes, she has again, behind the door, stripped herself for her master’s pleasure. I undid, too, the red, rep-cloth sash of the tunic. The buttons and sash on the tunic were red. The tunic itself, sleeveless, was white. I slipped the tunic over my head and, hastily, cast it aside. I now faced Bran Loort clad only in the collar of my master and my brand. Slave Girl of Gor
|
|
|
Post by sweetlarma on Nov 25, 2006 13:42:06 GMT -5
silks
Too, Ina wore a snatch of diaphanous yellow silk. The girls in Hendow’s tavern now often went silked on the floor, not naked, as before. "We are becoming quite fashionable," had said Sita, reaching eagerly for her tiny bit of silk. Tupita, had, however, only cast me a glance of hatred. To be sure, she did not refuse her own bit of silk. In most paga taverns, of course, the girls are silked. Usually it is only in the meanest, the cheapest and lowest of taverns that the girls serve naked, much as would the females of a conquered city at the victory feast of their conquerors, now, or soon to be, their masters. Slave silk, and certainly that sort which is commonly worn in paga taverns and upon occasion in brothels, when the girls are permitted clothing there, is generally diaphanous. It leaves little doubt as to the beauty of the slave. Some girls claim they would rather be naked, claiming that such silk makes them "more naked than naked," but most girls, and I think, even those, too, who speak in such a way, are grateful for even the wisp of gossamer shielding it provides against the imperious appraisals of masters, even though it must be pulled away or discarded instantly at a man’s whim. Too, I think most (pg. 225) girls know that they are very beautiful in such silk, and this, I suspect, is why they love it, and treasure it. Free women, on Gor, it seems, are frightened even to look upon such material, apparently finding it scandalously offensive, or somehow profoundly disturbing to them, let alone let it touch their body. Some free women, captured, when such stuff is thrown to them, profess to prefer death to putting it on, but when the choice is that which is acturally offered to them they put it on quickly enough. too, such women, it si said, make excellent slaves. But Goreans believe, of course, that any woman, properly handled, becomes an excellent slave. I think this may be true. It is true, at any rate, in my case. There are a large number of ways in which slave silk is worn. It can be worn, for example, on the shoulder or off the shoulder, with high necklines or plunging necklines, in open or closed garments, tightly or flowingly, and in various lengths. Sometimes it is put on the girl only in halters and G-strings, or mere G-strings. Sometimes it is done, too, in strips wound about her body. The tying of slave girdles, with such silk, and otherwise, to emphasize the girl’s figure and make clear her bondage, is an art in itself. Often, too, and as usually in paga taverns, it is worn in brief tunics. Most of these are partable or wraparound tunics. Such may be removed gracefully. Some tunics, however, like some regular slave tunics, have a disrobing loop, usually at the left shoulder, where it may easily be reached by both a right-handed master and a right-handed slave. A tug on the disrobing loop drops the tunic to the girl’s ankles, also gracefully. Dancer
|
|
|
Post by sweetlarma on Dec 2, 2006 17:34:43 GMT -5
"She wore a black, tight, off-the-shoulder bodice and a short, black, silk skirt, decorated with red thread and ruffles, and stiffened with crinoline. A black ribbon choker was placed behind the steel collar on her throat. A red ribbon, matching the decorations on her skirt, was in her hair. Savages
|
|
|
Post by sweetlarma on Dec 5, 2006 17:01:37 GMT -5
"The dressing of slaves, incidentally, is an interesting and intricate pastime. The slave is almost never totally nude. Her body is marked almost always with some token of her condition, which is bond. This is usually a collar, but it may also be an anklet, sometimes belled, or a bracelet. Her brand, of course, fixed in her very flesh, deep and lovely, is always worn. There is no mistaking it. The iron has seen to that. Beyond theses things, much depends on the individual girl and on her particular master of the time. Individual taste is here supreme. To be sure, there are natural congruencies and proprieties which are generally observed.
For example, although one may see a girl in the streets, naked save for, say, her brand and collar, or a bit of chain, this is not common. This sort of thing is done, usually, only as a discipline. Free Women tend to object, for the eyes of their companions tend almost inadvertently to stray to the exposed flesh of such girls. Perhaps, too, they are angry that they themselves are not permitted to present themselves so brazenly and lusciously before men. Needless to say it is difficult for Men to keep their minds on business when such girls are among them. Perhaps this is the reason that magistrates tend to frown upon the practice. After all, Goreans are only human.
In a family house, of course, girls are almost always modestly garbed. Children of many houses might be startled if they could see the transformation which takes place in their pretty Didi or Lale, whom they know as their nurse, governess and playmate, when she is in their absence or after their bedtime, ordered to the chamber of one of the young masters, there to dance lasciviously before him, and then to be had, and as a slave.
Context determines much. If a young man is giving a proper and refined dinner, his girl, modestly attired, will commonly serve it, shyly and deferentially, quietly and self-effacingly, as befits a slave. She may even draw commendations from his mother, pleased that he has purchased such a modest, useful girl. In a dinner given for his rowdy male companions, of course, in which even unmixed wines might be served, she, obedient, writhing and sensuous, is quite a different girl. Perhaps he has even purchased her some training, from local slave masters. His guests, uncontrolled in their desire, driven half mad with passion, will mightily envy him his girl. Perhaps he, in Gorean hospitality, will share her with them, but, in the end, when they have gone, it is at the foot of his own couch that she, licking and kissing, and begging, will be chained.
The main purpose of slave garments, of course, is not particularly to clothe the girl, for she need not even be clothed, as she is an animal, but to, as I have suggested, 'set her off.' In this sense slave garments may be as resplendent and complex as the robes of an enslaved Ubara, to be removed by the general who has captured her upon a platform of public humiliation, or as simple as the cords on a girl's wrists and a piece of rope knotted on her throat.
Additional functions of slave garments, of course, other than those of displaying the girl and making it clear to all how desirable she is, are to remind her, clearly, that she is a slave, which is useful in her discipline, and, also, interestingly, to stimulate, intensify and deepen her sexuality. It is impossible for a woman to dress and act as a slave, and be enslaved, in full legality, and not, sooner or later, understand that she is really what she seems to be, a slave."
- GUARDSMEN OF GOR, pages 105 - 109
|
|
|
Post by sweetlarma on Jul 8, 2007 22:34:06 GMT -5
boots and panties
"She was dressed, save for her bondage strings, in much the same way as most of the women of the red hunters, bare-breasted, with high boots and panties. Thistle, however, behind her, was naked, in a northern yoke and on a leather leash.
Beasts
|
|
|
Post by sweetlarma on Jul 8, 2007 22:34:37 GMT -5
training silks
She was attired in a brief gown of red Pleasure Silk, prescribed for her because she was a Red Silk Girl and in training. Virginia and Phyllis, in their cells, would wear similar gowns, but of white silk.
Assassin of Gor; p. 176
In the beginning, when moving about the house, the girls had been permitted only the garb customarily worn in the sweat and motion of the training, a rectangle of silk, about a foot long, thrust into a silken string knotted about the waist; Virginia and Phyllis would not even leave their cells so clad until Elizabeth called upon them, so clad herself, ordering them forth; Phyllis had been tearfully furious that she should be so seen, Virginia terrified; but, on the orders of Elizabeth, who spoke with authority, they followed her forth, frightened, but heads high and shoulders back, and soon they were delighting in the sights of the house, for they had seen little but the kennels, the training room and their cells; it had been a good day for them; each was female and Elizabeth had taught them that this was a permissible thing to be. “These men are slavers,” Elizabeth confided to them. “They have seen women before.” Later, in the eighteenth week of their training, they were given brief silken slave livery, sleeveless, fastened by the loop on the left shoulder. Virginia and Phyllis were give white livery, Elizabeth red. It was at this time also that Virginia and Phyllis had been given their lock collars, white-enameled, and that the slave anklets, the identification bands, had been removed from their left ankles. Elizabeth, at the beginning of her training, had simply exchanged her yellow collar for a red one. She had already been a lock-collar girl.
Assassin of Gor; p. 199-200
|
|
|
Post by sweetlarma on Jul 8, 2007 23:47:07 GMT -5
work tunic
I wore a brief, one-piece, brown work tunic. It was all I wore, with the exception of the collar. We wore such tunics when engaged as work slaves. The tunics of work slaves are usually brown or gray. Slave Girl of Gor, page 265
I had seen that she, too, wore a collar. More importantly, about her forehead, tying back her dark hair, was a strip of rep cloth, brown, of the same material as the work tunic. I knew this meant she had authority among the girls. Captive of Gor, page 285
'Put her in a work tunic," he said, "and send her to the shed." Captive of Gor, page 284
|
|
|
Post by sweetlarma on Jul 8, 2007 23:48:15 GMT -5
Chata , Culra, Kalmak, Koora
"The red cord, or Curla, was knotted about my waist, tightly, the knot, a slip knot, might be loosened with a single tug over my left hip. Over the Curla in the front, slipping under the body and between the legs, and passing over the Curla in the back, was the Chatka, or narrow strip of black leather, some six inches in width, some five feet or so in length; it was drawn tight; when a girl wears the Curla and Chatka, the brand, whether on left or right thigh, is fully visible, for the inspection of masters. I also wore a brief, open, sleeveless vest of black leather, the Kalmak. I wore a broad Koora, which, kerchieflike, covered most of my head."
- SLAVE GIRL OF GOR, Pg. 328 - 329
|
|
|
Post by sweetlarma on Jul 8, 2007 23:48:42 GMT -5
Chalwar and vest
She wore a high, red-silk vest, swelling, fastened with a single hook; diaphanous red-silk chalwar, low on her hips, gathered at the ankles; two golden bangles on her left ankle; collar."
- TRIBESMEN OF GOR, Pg. 156-157
|
|
|
Post by sweetlarma on Jul 8, 2007 23:49:11 GMT -5
Kirtle the garb of a slave girl of the Torvald thin white woolen garment ankle-length with a deep plunging neckline
"She was blond; she was barefoot; she wore an ankle-length white kirtle, of white wool, sleeveless, split to her belly."
- MARAUDERS OF GOR, Pg. 81
|
|
|
Post by sweetlarma on Jul 8, 2007 23:49:39 GMT -5
ta teera
One of the most exciting slave garments, if a slave is permitted clothing, is the Ta-Terra or, as it is sometimes called, the slave rag. This is analogous to the tunic, but it is little more, and intentionally so, than a rag or rags. In it the girl is in no doubt as the whether or not she is a slave. Some cities do not wish girls in Ta-Teeras to be seen publicly on the streets. Some masters put their girls in such garments only when they are camping, or in the wild. Others, of course, may prescribe the Ta-Teera for their girls when they are within their own compartments."
|
|
|
Post by sweetlarma on Jul 8, 2007 23:50:09 GMT -5
camisk
The common camisk is a simple rectangle of cloth, containing, in its center, a circular opening. The garment is drawn on by the girl over her head and down upon her shoulders; it is worn, thus, like a poncho; it is commonly belted with binding fiber or a bit of light chain, something with which the girl may be secured, if the master wishes."
- GUARDSMAN OF GOR, Pg. 107
"The camisk is a rectangle of cloth, with a hole cut for the head, rather like a poncho. The edges are commonly folded and stitched to prevent raveling....The camisk, I am told, was at one time commonly belted with a chain. However, the camisks that I have personally seen, and those we were given, were belted with a long, thin strap of leather binding fiber. This passes once around the body, and then again, and then is tied, snugly, over the hip....The belt of binding fiber not only makes it easier to adjust the camisk to a given girl, but of course, the binding fiber serves to remind her that she is in bondage. In a moment it may be removed, and she may be secured with it, leashed, or bound hand and foot....The camisk, in its way, is an incredibly attractive garment. It displays the girl, but provocatively. Moreover, it proclaims her slave, and begs to be torn away by the hand of the master. Men thrill to see a girl in a camisk." Captive of Gor, (pg 64)
|
|
|
Post by sweetlarma on Jul 8, 2007 23:53:08 GMT -5
tunic
"The most common Gorean garment for a slave is a brief slave tunic. This tunic is invariably sleeveless and, usually, has a deep, plunging neckline. It may be of a great variety of materials, from rich satins and silks to thin, form-revealing, clinging rep-cloth."
- GUARDSMAN OF GOR, Pg. 107
"She wore the briefly skirted, sleeveless slave livery common in the northern cities of Gor, the livery was yellow and split to the cord that served as her belt; about her throat she wore a matching collar, yellow enameled over steel."
- ASSASSIN OF GOR, Pg. 7
|
|
|
Post by sweetlarma on Mar 25, 2008 11:41:28 GMT -5
The silk girl was heeling her master, a captain of Torvaldsland. She wore, indeed, a brief tunic of the south, of golden silk. She wore a collar of gold, and, hanging in her ears, were loops of gold. Marauders of Gor, page 145
|
|
|
Post by sweetlarma on Oct 21, 2009 18:11:17 GMT -5
"Sometimes, too, it is controversial as to what constitutes a garment and what a bond. For example, is a slave harness a garment or a bond; objectively, I suppose, it is both. So, too, I would suppose, are the tunic chains of Tyros. A girl may be "set off," of course, and beautifully, even if, technically, she is not clothed. She may be garbed, for example, in netting, as the "Hunter's Catch"; or she may be bedecked in jewels and leather, and shimmering chains, dancing under a whip in a tavern in Port Kar; or she may have flowers intertwined in her chains, as when she is awarded to a victor in public games in Ar." Guardsmen of Gor- 105
|
|